** The Gladiators – The Story of a Lost Hollywood Epic **
Yul Brynner’s film The Gladiators never made it to the big screen, but the story behind its failure is an epic in itself.
Dr Rad’s latest work on this is out now and we’re super excited!
** The Gladiators – The Story of a Lost Hollywood Epic **
Yul Brynner’s film The Gladiators never made it to the big screen, but the story behind its failure is an epic in itself.
Dr Rad’s latest work on this is out now and we’re super excited!
The race to bring Spartacus to the big screen is an epic tale of 1950s Hollywood. Dr Rad explores the rival productions and the intrigue.
For our 90th episode, Dr G and I decided to record a special episode on the Australian Ballet’s production of Spartacus. We were honoured when we were contacted and asked if we could produce an article for Classicum based on this podcast. The finished product has just been published, and so the Partial Historians has finally made it into print. We have talked about Spartacus in so many ways over the years, from film to…
Dr Rad pays tribute to the late and unmistakable force to be reckoned with, Kirk Douglas. His role in Spartacus and his legacy for Rome on film and Hollywood are legendary.
This is a short blog post designed to accompany the release of the recent History by Hollywood podcast episode that features Dr Rad, which you can listen to HERE. Before the Blacklist In the mid-1920s, a young man from Grand Junction moved to L.A. with his family. For nearly a decade, he struggled to contribute to the family coffers, working in a bakery and dabbling in low-level criminal activities. This decade made him particularly aware of…
We’re turning 90 and it’s time for a special episode on the reception of Spartacus! What better way to do this than to examine the history of Spartacus, the ballet. Dr Rad is our expert on the ground on all things Spartacus and reception. Dr G brings a wild curiosity and a small knowledge of ballet.
The gods have been smiling on us for the past year or two. As we have learnt more about the podcasting and popular history game, momentum has been building. One of the highlights has been our collaborations with TED-Ed. Dr G and I have been fortunate enough to contribute to a few projects on Roman History, such as the Vestals, the Emperor Augustus and the newly released Spartacus. Since beginning my postgraduate studies, classical reception…
This has been a long time coming, but for those of you who enjoyed our episodes (numbers 18-21) on Spartacus, the 1960 film and the Starz series, here are some select sources to help you find out more about Spartacus on the small and big screen. Augoustakis, A.; Cyrino, M. (eds), Starz Spartacus: Reimagining an Icon on Screen (Edinburgh University Press, Edinburgh: 2016) Blanshard, A.; Shahabudin, K., Classics on Screen: Ancient Greece and Rome on…
We take our last turn about the room with the enigma, the charisma, that is Spartacus. The final season of the Starz series Spartacus: War of the Damned, follows the final confrontation between the slave rebels and the might of Rome.
The Doctors tackle the sources and speculation that arise from an examination of the Starz series Spartacus Vengeance.
Spartacus: Vengeance follows the nascent slave rebellion in their journey from Capua and the challenges they face along the way. You may well ask what is up with Glaber and Spartacus – find out here!
In this episode, your intrepid Doctors continue to explore Spartacus and modern incarnations of his story. In 2010 the Starz series Spartacus Blood and Sand hit our television screens.
This season functions as a origin story, as our primary sources for pick up the story at the moment of Spartacus leading the slave revolt in 73 CE. With an eye for the historical sources, we consider how this series tackles the details of Spartacus’ life and the blurring of history and drama.
Dr Radford’s is a specialist in the history of Rome on film. And where better to start than with Spartacus, the 1960 epic directed (eventually) by Stanley Kubrick and starring the one, the only, Kirk Douglas.
This film has a highly complicated array of relationships to explore. There’s the 1951 novel that inspired the screenplay by Howard Fast. There’s the screenplay itself, where major credit is given to Dalton Trumbo. And there’s the complications that arise from the challenges of finding a director who could stick with the project. This is all before we even cut to the chase on the primary source material!
So what relationship does the film bear to the historical sources?